The group consists of Adam Feit, Adam Laskowitz, Daniel Barry, and James Hamilton. As practicing musicians and architecture students at the University at Buffalo School of Architecture and Planning, we are looking to combine our passions into a progressive yet practical application.
We initially approached our thesis as a design project, intended to use musical theory and composition as a means of designing a concert hall. Quite literally, we were to disect a given piece of music, and define it in terms of architecture.
The art and installations of Christopher Janney began to make us reevaluate our initial scheme. Rather than tear apart a given song in order to design space, how can we use our built environment to create song?
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Rather than deconstruct existing music...which has its own original context...how does existing architecture create song? Its already living...its already alive!!!!(I like the last sentence!)
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